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Pick: Shudder Is the Horror Streaming Service Fans Were Waiting For

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Horror television has been something of a mystery over the last couple decades. The first network I can remember getting excited about was The Horror Channel, a cable station that promised 24/7 films, shows, and original content. Sadly, it didn’t live up to its promises, and The Horror Channel turned into something nobody really wanted and it eventually went belly-up before it truly got off the ground.

The next chapter in the history of 24-hour horror channels belonged to Fearnet, which was launched as a video on demand service by Comcast in 2006. It had the same promises as The Horror Channel, but now the internet was more prevalent than ever, and it would be factored into its offerings. In 2014, Comcast acquired Lionsgate and Sony Entertainment, and moved Fearnet’s programming into the Sci-Fi Channel (which at the time was being rebranded as SyFy) and Chiller, Comcast’s premium cable channel. This upset fans who liked Fearnet’s online setup where viewers could join in chats with other horror fans and discuss their favorite films while watching their favorite programming.

Chiller sadly became a watered-down horror channel filled with ads and censor edits. (Because that’s what horror fans are looking for — censored content, right?) It soon became difficult for the company to ignore subscriber numbers dropping, when users decided Netflix and (illegally) downloading content were their best alternatives. So this was when physical media reigned: Companies like Criterion and Shout Factory began offering exclusive content for their films, such as behind-the-scenes features, documentaries, and more — all in 1080p on these upgraded DVDs called Blu-rays.

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The Birth of Shudder

Luckily in 2015, something was growing in the dark. Something so sinister (but accessible!) that horror fans would be silly not to indulge in. The very next year, invites started to go out for a new online streaming service from AMC for our favorite genre. It was called Shudder.

Shudder beat out its competitor Screambox by offering 500 films at launch and quality content that only the streaming service could provide. Rob Zombie’s 31 premiered on the platform two weeks before its wide release. Shudder also offered fans a chance to see the full release of The Devils, Ken Russell’s 1971 horror classic.

Since then, Shudder has been working closely with acclaimed filmmakers like Don Coscarelli and Joe Lynch, and since 2018, it has continued to release exclusive and original films and series.

Shudder Originals and Exclusives

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Just last year the horror streaming service reached out to cult film historian and host Joe Bob Briggs to bring back his popular 90s horror commentary series Monster Vision, which aired on TNT from 1991 to 2000. Everything was recreated to the nines, minus the name. The special event was like cozying up on your parents basement couch again and watching Phantasm for the first time. Fans were ecstatic about the news and when the first episode aired, fans broke the servers. This was a good problem. Shudder would then bring Joe Bob back for special holiday commentary, which would then spawn the first season of The Last Drive-In with Joe Bob Briggs.

These exclusive movie events on top of Joe Bob’s return boosted the popularity of streaming service among horror fans. Soon after, announcements of an original Creepshow series from makeup effects artist and close AMC development director Greg Nicotaro began circulating. He then officially announced the project, teasing out a first look of the animated Creepshow host in June. The new series is set to premiere on September 26. This move shows Shudder was taking the right steps to bring in even more horror fans with quality content as well as classic content.

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Best Movies to Stream on Shudder

This past week I have been working on a project and ended up binge watching all of the Nightmare on Elm Street films that were recently added. I’ve owned the Blu-ray collection for years, but because Freddy was at my fingertips as the evenings drew near, I could not resist.

The streaming service is also currently releasing Joe Hill’s AMC adaptation of N0S4A2. Sadly, this is not “bingeable” since it is being released episode by episode weekly — but hell if it isn’t bringing me back each and every week!

The film selection alone will keep you watching for hours on end. Here are just a few suggestions to help send a tingle down your spine this fall.

Never Sleep Again
Eli Roth’s History of Horror
Horror Noire
Why Horror?

Films That Will Scare You:
The Exorcist Three
Henry: Portrait of a Serial Killer
Hell House LLC

Halloween III
Texas Chainsaw Massacre
Chopping Mall
Phantom of the Paradise

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Why You Should Subscribe to Shudder

It has taken a lot to get here. We went through broken promises to overly priced (and censored) cable networks. But horror finally has a place to rest its wonderfully terrifying head and we, the fans, could not be more pleased.

When you sign up directly on Shudder’s website for a new membership, you can stream Shudder unlimited for $5.99 per month, or save with a yearly membership for $56.99 (only $4.75 a month).

You can start your free 7-day trial of Shudder here.

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BBC’s ‘Own It’ App Aims to Keep Kids Safe Online

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The BBC wants to monitor how young people use the Internet with a new app.

Dubbed Own It, the “wellbeing” program uses artificial intelligence to evaluate a child’s mood and offer advice or encouragement as needed.

“The digital world is a fantastic place for people to learn and share, but we know many young people struggle to find a healthy online balance, especially when they get their first phones,” Alice Webb, director of BBC Children’s, said in a statement.

“Our Own It app gives them a helping hand as they navigate this new experience so that they can make the most of the time they spend on their phones whilst avoiding some of the pitfalls,” she added.

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While kids text with friends, keep a diary of their emotions, and access other BBC-commissioned content, the app’s special keyboard offers real-time help: It may encourage the user to talk to a trusted adult, or simply remind them to think twice before sharing personal details.

“We’re using cutting-edge machine learning technology in a way no one has done before,” Webb said. “Putting help, support, assistance, and a bit of fun, too, directly into young people’s hands at the moments when they need it most.”

Despite encouraging children to pick up their phone, Own It also tries to manage screen time, passing on advice about responsible online behavior.

The app offers advice alongside the text and messages children type (via BBC)

Prince William, a father of three, approves of the application, which he called a “positive and practical” outcome from his Royal Foundation Taskforce on the Prevention of Cyberbullying.

Data from the app is not shared with parents; Own It does not provide reports or feedback to parents. Everything the child types remains private to their phone.

BBC’s kid-friendly platform has been in the works since last year, and has attracted partners like the Mental Health Foundation, the Anti-Bullying Alliance, the National Society for the Prevention of Cruelty to Children (NSPCC), the Diana Award, and Childnet.

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Better, Faster, Stronger Wi-Fi 6 Officially Launches

Next-generation Wi-Fi is ready and raring to go.

The Wi-Fi Alliance, which oversees implementation of the radio technology, is launching its official Wi-Fi 6 certification program.

Sounds like a snoozefest, I know.

But it means harder, better, faster, stronger access.

Wi-Fi 6 has been percolating for the past year, and now it’s ready to permeate more products, including the Samsung Galaxy Note 10—the first Wi-Fi Certified 6 smartphone.

“High-speed 5G services need Wi-Fi 6 and so do consumers who want to seamlessly share the moments they create on their mobile devices,” according to Inkang Song, vice president of Mobile Tech Strategy and Partnership at Samsung.

Apple’s upcoming iPhone 11, 11 Pro, and Pro Max handsets also support Wi-Fi 6, meaning the new tech will soon reach millions more customers, helping to accelerate adoption.

The central goal of Wi-Fi 6 (or 802.11ax) is to boost connectivity within crowded networks—at home or in the wild.

It is particularly well-suited for airports or sports stadiums, where hundreds of thousands of devices are vying for a spot on the same Wi-Fi wave. Even busy households can benefit; families often have a dozen or more gadgets connected to the same sardined system.

“Wi-Fi Certified 6 is ushering in a new era of Wi-Fi, building on [its] core characteristics to provide better performance in every environment for users, great network capacity for service providers to improve coverage for their customers, and new opportunities for advanced applications,” Edgar Figueroa, president and CEO of Wi-Fi Alliance, said in a statement.

“[It] will deliver improvements in connectivity,” he added, “including in high-density locations and IoT environments.”

The theoretical maximum speed for Wi-Fi is also increasing—from 3.5 Gbps to a whopping 9.6 Gbps. But, as The Verge pointed out, “those numbers don’t really matter since you’ll never get them at home.”

Wi-Fi 6-friendly routers from Cisco, Netgear, Asus, and TP-Link are already rolling out the next-gen technology; mesh options for the Netgear Orbi and TP-Link Deco lineups are expected later this year.

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Audible Claps Back at Publishers Over Copyright Infringement

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In August, seven major book publishers sued Audible over a new caption feature they claim infringes on copyright law.

An Audible countersuit, filed last week, however, argues that the technology is “quintessential fair use.”

Introduced in July, Audible Captions aims to enhance the literacy experience by allowing listeners to follow along with “a few lines of text.”

“We developed this technology because we believe our culture, particularly in under-resourced environments, is at risk of losing a significant portion of the next generation of book readers,” CEO Don Katz wrote in a summer announcement.

A sentiment with which I’m sure the Association of American Publishers (AAP), on behalf of its member companies, agrees.

It’s the underhanded way Audible approached the feature that publishers are not on board with.

The August lawsuit claims “willful copyright infringement,” and highlights Audible’s alleged efforts to “take for itself cross-format features” without authorization from, compensation to, or quality control by intellectual property owners.

Chronicle Books, Hachette Book Group, HarperCollins Publishers, Macmillan Publishing Group, Penguin Random House, Scholastic, and Simon & Schuster argue that Audible is effectively distributing ebooks alongside audio files—which normally requires a separate license and additional royalty payments.

Audible clapped back, asserting that it has agreements with each plaintiff, and has paid, and will continue to pay, royalties and license fees for audiobooks.

“Audible Captions is not a book of any kind, much less a replacement for paper books, ebooks, or cross-format products,” the Amazon-owned company said. “The goal is simple: to help listeners understand and engage with the audiobook they purchased.”

Audible already provides simultaneous text and audio via “Immersion Reading” (read along with the ebook as you listen to the audiobook)—with the AAP said operates lawfully, and without errors.

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